Procrastination is a Drug

1. CONFESSION

I’ve delayed writing this entry for about two months now. I really wanted to write a masterpiece, to strike a chord in your hearts and maybe even inspire change in the world.

But alas, I’m just another blogger and I’m better off getting this over with instead of trying to turn it into my magnum opus.

You see, I have a problem – I procrastinate. And its made worse by the fact that I tend to procrastinate by reading about procrastination.

I believe we each have some creative ambition we’ve failed to realize – projects we’ve never started or we abandoned in mid-course.

While these ambitions and ideas just stay in our head we’re able to justify our procrastination – we tell ourselves we’re thinking it through, we’re taking our time strengthening the idea, waiting for the right moment, etc.

As we build these ideas and projects in our head, they feel safe and protected between our ears.

We fear it might be too early to start, to get this idea out of us, as if it were a premature baby. Will it survive out in the real world, against the criticism of others?

But I think we also procrastinate because we doubt our own abilities. We question whether or not we’re actually ready or talented enough to do this great thing?

Making art provides uncomfortably accurate feedback about the gap that inevitably exists between what you intended to do, and what you did.

- ‘Art & Fear’

Maybe we’re waiting to suddenly become somebody else?

But unfortunately that isn’t going to happen.

There’s only one solution: you must embrace failure. You must admit what is. You must find out what you’re capable of doing and what you’re not capable of doing. That is the only way to deal with the issue of success and failure because otherwise you simply will never subject yourself to the possibility that you’re not as good as you want to be, hope to be, or as others think you are. But that is of course delusional.

- Milton Glaser

You, as you stand today, are enough.

You have to release that idea from your head. And as that idea develops and grows, so will you.

2. MAKE SHIT!

Sometimes you just have to spit out your rough idea, even if it’s initially shit, to get to the good stuff, to its final version.

People begin to get better when they fail. As they move towards failure, they discover something as a result of failing. They fail again, they discover something else – they fail again, they discover something else.

- Milton Glaser

A physical draft of a creative project, whether it’s the first or twentieth,  allows you to reflect and improve upon it.

It allows for ‘prototyping’, a cyclical process of reflecting upon something physical and making the necessary changes to it to make it more ‘complete’.

In order to fight procrastination we need have a mindset that embraces making imperfect and incomplete things.

We have to remind ourselves that we don’t have to show these drafts or prototypes of our ideas to any one else – they’re just for us and our senses to enjoy and critique.

When you can make your idea physical, when you take it out of your head, into whatever medium you’re working in, then you can begin to nourish and cultivate it.

You’re able to raise it; teach it things about itself as it teaches you things about yourself.

Until it can stand on its own two feet and go out into the real world to be seen by others.

3. DEADLINES ARE ‘THE KILLER APP’

But how can we encourage ourselves to start this creative work in the first place?

And how can we continue it, with a sense of urgency, as if it matters, as if there are consequences for failing to complete it?

I think I’ve found the answer -

Do you remember back in school all the assignments and deadlines we had? I believe these deadlines, each associated with a consequence, are the main reason we got things done. I don’t know about you but if one of my teachers had told me I could turn in my assignments whenever I wanted to chances are I would’ve never graduated from high school or college.

Back then deadlines were sacred and I believe they helped make me into the person I am today.

Not only did these deadlines motivate me to do the assignments I had no interest in, but they also helped me with the courses and projects that I actually enjoyed. I needed somebody else to give me a specific assignment, tell me how it would be evaluated and when it was due.

In school, these structures and deadlines sometimes felt like a gun to our little heads. But they also forced our raw ideas and voices to grow into tangible results and encouraged us to grow along with them.

But why are deadlines so powerful?

In a recent procrastination safari I was on Wikipedia where I stumbled across Parkinson’s Law:

Work expands so as to fill the time available for its completion.

In laymen terms:

If I give you 24 hours to complete a project, the time pressure forces you to focus on execution, and you have no choice but to do only the bare essentials. If I give you a week to complete the same task, it’s six days of making a mountain out of a molehill.

If I give you two months, God forbid, it becomes a mental monster. The end product of the shorter deadline is almost inevitably of equal or higher quality due to greater focus.

- Tim Ferriss

The last part of this quote is exactly what I observed in my school days:

We tend to get real smart when there’s no time to be stupid.

We tend to get productive when there’s no time to be lazy.

But alas, school is over and these days I truly wish I could apply as much structure to my own creative work.

We must generate our own deadlines.

We must not only embrace failure as part of the process, but we must encourage ourselves to work and fail on a regular basis, over and over again.

4. PUTTING IT TOGETHER

Based on the above, we must work and fail ‘outside’ – not in the theater of our safe minds, but physically, in our studios and offices.

We must:

• Embrace a mindset that says ‘failure is okay’
• Realize our goals can be achieved through a series of ever evolving, sometimes shitty, drafts and prototypes.
• Create a sense of urgency through self-generated deadlines

We’ll have to constantly fight for these three things. But I believe this war against our fears and natural tendencies gets easier with time.

We can go back, to our school days and tap into the power of deadlines by creating them ourselves – here’s how:

1. Find an important creative pursuit that you’ve been putting off. Be specific about what you want to do – what is this project exactly? A first draft of a short story? A series of paintings? A new song you want to write?
2. For this goal, this project, we’re going to give ourselves a deadline. But instead of making it a date in the calendar, our deadline will be a specific amount of time, lets call this X, that we’re going to work on this draft of the project.
3. Any time we’re working on the project, the timer we set earlier is counting down from X to zero. You can stop the clock and take breaks as you like and come back to the project at any time. But the idea is that you’re going to complete this draft in the set amount of time you assigned yourself and no more.
4. After the clock runs out, you should now have your draft, something you can hand in to yourself, and begin to examine and react to.
5. Repeat as necessary to iron out the kinks you see or feel in your project, but remember to set specific amounts of time to each draft of that project.

For example, like I said, I’ve been procrastinating starting and finishing this blog entry for two months even though I felt it was important I get my thoughts out for my own creative practice.

So today, I set my timer to 40 minutes to write the first draft of it.

I choose this amount of time because I believed it would help ‘police’ me into staying on task and being efficient.

To be honest, at the end of the 40 minutes I ended up with absolute shit. But I had a draft in my hands that I could continue to revise through more drafts, in between breaks, each with a specific amount of time associated with it.

As you can see in the photo below, I went through a series of 40-minute drafts, and in between each I was able to reflect on where the article was and where it still needed to go.

Even though this entry probably isn’t a masterpiece, there’s no way I would’ve realized its full potential all in my head. I had to take several stabs at it to get it to this state.

But this evolution of a raw idea doesn’t have to stop here: because now you can react to this version, this draft, and I can incorporate your feedback to make it even stronger.

5. CONCLUSION

When you have a draft/prototype of your idea in front of you, in your hands, you can actually respond to it, you can shape it, change it, improve it.

But when your idea remains in your head, it’s just this gaseous cosmos of possibilities that slowly turn into insecurities, idealized futures and ultimately procrastination;

A fear of failure can paralyze us.

A lack of structure and deadlines keeps us lazy. 

One can only fully realize an idea and themselves by embracing failure, by making that a teacher, by making that a vital part of the process.

You learn how to make your work by making your work . . . art you care about – and lots of it!

- ‘Art & Fear’

We must work and fail, over and over again, striving towards our goals against our self-appointed deadlines.

When we can bring our ideas out of the womb of our creative mind, they can become real, they can draw breath.

They can begin to talk back to us, tell us what they’re still missing.

They can grow into great things.

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QUOTES FROM:

Milton Glaser on the ‘Fear of Failure’

Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles & Ted Orland

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FURTHER IDEAS TO PROCRASTINATE WITH:

The 99 Percent is one of my favorite productivity sites because it’s aimed to creative types, here are two videos related to this entry you might enjoy:

“What you do for a living is not be creative, what you do is ship,” says bestselling author Seth Godin, arguing that we must quiet our fearful “lizard brains” to avoid sabotaging projects just before we finally finish them.

Twitter creator Jack Dorsey outlines his simple approach to making amazing ideas happen: drawing out the idea, gauging the right timing, and iterating like mad.